![]() ![]() He added a few new compositions, but mostly derived movements from cantata movements, in a technique known as parody. To achieve the Missa tota, a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a Sanctus written for Christmas of 1724. Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing the Kyrie and the Gloria, and several additional individual settings of the Kyrie and the Sanctus. The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = Soli Deo Gloria) is found at the end of the Dona nobis pacem. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. ![]() Towards the end of his life, mainly in 17, he finished composing new sections and compiling it into a complex, unified structure.īach structured the work in four parts: The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the Ordinarium missae.
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